European brasses with an introduction and notes by A.C. Bouquet in collaboration with Michael Waring. by Alan Coates Bouquet

Cover of: European brasses | Alan Coates Bouquet

Published by Batsford in London .

Written in English

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  • Brasses -- Europe,
  • Sepulchral monuments -- Europe

Edition Notes

Book details

ContributionsWaring, Michael J
LC ClassificationsFoNB1846 B6
The Physical Object
Number of Pages79
ID Numbers
Open LibraryOL17312969M

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OCLC Number: Description: 78 pages: illustrations ; 53 cm: Contents: Acknowledgment --Introduction --Sir Robert de Bures. Acton, Suffolk --King Eric Menved and Queen Ingeborg of Denmark, deceasedRingsted, Zealand --Lawrence de St.

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Alan Coates Bouquet (24 May – 4 March ) was a minister in the Anglican church, a theologian and Recognised Lecturer in the History and Comparative Study of Religions at the University of Cambridge and, as A.

Bouquet, a prolific writer on religious themes. Of Huguenot descent, he was born in Forest Hill in London inthe son of Elizabeth née Stow () and. “Pope Alexander VI issued a Papal bull authorizing the Treaty of Tordesillas on June 7, The treaty gave everything located beyond leagues or exceeding 1, nautical miles west of Cape Verde to Spain for exploration, and everything east of this meridian went to Portugal.”.

Brasses Properties and Applications is a publication that provides information on compositions and properties of standard brasses in wrought and cast condition, together with details of BS and European Standards, forms available, fabrication methods and examples of typical applications.

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Free shipping for many products. A collection of illustrations and descriptions of European brasses. Scarce, first edition.

Large folio with errata slip bound after contents. Collated, complete with 53 plates and an additional ornamental title page plate. Printed in Norwich by Agas H Goose and Co. Photo-lithography by W Griggs of London.

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A European brasses book brass is a type of engraved sepulchral memorial which in the 13th century began to partially take the place of three-dimensional monuments and effigies carved in stone or wood. Made of hard latten or sheet brass, let into the pavement, and thus forming no obstruction in the space required for the services of the church, they speedily came into general use, and continued to be a.

The "alpha-beta brasses", "duplex brasses" or "hot working brasses", usually contain between 38% and 42% zinc. In contrast to the alloys of the first group, their.

A Book of Facsimiles of Monumental Brasses on the Continent of Europe with Brief Descriptive Notes W. Creeny W. Griggs: London " by 15" [2pp], x,73pp, [1pp] SUMMARY An uncommon and illustrated work looking at European monumental brasses, written by William Creeny, an authority on monumental brasses.

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Large sections are devoted to andirons, candlesticks, fireplace accessories, kettles and tobacco boxes. There are useful dating charts for andirons and candlesticks. Each of these sections is more complete than any previous volume, and could have been.

This bibliography includes all articles, except ephemeral reports, in the Transactions of the Monumental Brass Society and articles of a general nature published in the Society's Bulletin, but generally excludes articles in the Bulletin on the brasses of individual churches. For the latter, please search the topographical index.

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See more ideas about Brass, Effigy and Medieval pins. The other European countries have varying numbers of brasses, ranging from a handful to dozens, though usually less than a hundred. Brasses in Europe and in Britain were typically made out of small plates of brass between two and three square feet.

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is a collection of images and links of medieval monumental tombs. Most of the monuments listed here are either effigies or brasses. The remainder are incised slabs, half-reliefs, and other miscellaneous representations.

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/5(2). Brasses were popular form of grave marker used to cover the tombs of people buried inside churches, particularly between and Fewer brasses were made in the 17th and 18th centuries, but there was a resurgence of interest in the 19th century as a by-product of the Anglo-Catholic revival, and some are still made today.

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